This is the script of this morning's Thought for the Day on BBC Radio 4's Today programme, written in the face of the horrors of Gaza, Syria, Ukraine and all the other bloody conflicts filling the news screens, and with a strict word limit.

Way back in 1978 Boney M did a terrible thing: they took a song of desperate lament and turned it into a disco dance hit. ‘By the rivers of Babylon’ was a boppy little number with a very catchy tune, but the music bore no relation to the content or the meaning of the words.

“By the rivers of Babylon we sat down and wept… How can we sing the Lord’s song in a strange land?” This song – which is taken from Psalm 137 – is wrenched out of the guts of a people whose world has been lost – possibly for ever. Here they sit in exile, expelled from their homeland, being mocked by their captors while they weep in humiliation. After all, how can they sing songs of praise to their God when the evidence of their desperate experience tells them it has all been a big mistake?

Well, Boney M aren’t the only culprits when it comes to putting words to inappropriate music. But, this is the song that comes to my mind when I see the images brought to us from just about every corner of the globe by hugely brave journalists and film crews. Attempts to rationalize the immensity of human suffering in the world today must surely come second to some attempt at empathy. Our brains might be engaged, but our first response must be the surge of emotional horror and lament that is dragged from deep within us as we see the human suffering laid bare before us.

Now, Psalm 137 is not a comfortable song; nor is it a song for the comfortable. It ends with a shrill cry of pain and hatred: “God, I wish you’d take the children of my enemies and smash their heads against the rocks.” But, it isn’t there to justify an ethic. It isn’t there to suggest it is right to think such awful things of other people’s children. It is there for two reasons: first, to confront us with the reality of how deep our own human hatred can go, and, secondly, to tell us not to lie to God (thinking he can’t handle that reality or the depths of human despair).

If we thought the twentieth century of bloodshed and slaughter was bad enough, the twenty first is already proving pretty grim. Like everybody else, I have views on what is happening in the Middle East and closer to home in Ukraine – including the persecution of Christians in Iraq and elsewhere. And, having grown up in Liverpool in the aftermath of the Second World War with grandparents who well remembered the First, I am haunted by the human propensity for what historian Christopher Clark has called the “sleepwalking” into global conflict. Where does all this leave the myth of human progress?

“By the rivers of Babylon” perhaps gives us a vocabulary for times such as this – admitting the horror and the helplessness, but surrounded by other songs that compel compassionate response and action that is rooted in hope of a better future.

This last sentence is a reference to the fact that the prophets of the Hebrew Scriptures tackle the hard task of imagining a future where one looks impossible.

 

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