The headline doesn't sound too promising, does it? But, it brings together the last couple of days before I return to Bradford tomorrow for a week of work before having a scheduled holiday the following week.
Having finished Ben Quash's excellent Found Theology, I intended to just spend the last couple of days reading German frivolous stuff. But, I started on Imaginative Apologetics, edited by Andrew Davison instead and got hooked. Serendipitously, it hangs together very well with the Quash book, although written from a different perspective and toward a different end.
Imaginative Apologetics recognises that the current irrational obsession of the New Atheists with what they think of as 'pure reason' (as if it wasn't mediated by a person who brings to the task a tradition and unargued-for presuppositions about the world, the way it is, and why it is the way it is) and 'pure science' (see above) does not need to be responded to on its own redundant terms, but that the premises of the argument can be questioned. And, to cut a long argument short, people need to be appealed to at the level of imagination and emotion – finding a consistency with real lived experience … which is more (but never less than) than 'rational' – and the Christian tradition has a huge amount to offer in this respect.
In fact, Davison himself makes the case right at the outset for Christian confidence when he writes:
The Christian faith does not simply, or even mainly, propose a few additional facts about the world. Rather, belief in the Christian God invites a new way to understand everything. (p.xxv)
He also cursorily quotes Yale's Denys Turner's observation that “the best way to be an atheist is to avoid asking certain questions”. The purpose of this is not to dismiss atheism or atheists, but to ask robust questions about the assumptions and presuppositions that lie before and behind assertions about reality and the absence of God. There is material here for good debate, if the theistic case is accorded some credibility and not simply dismissed prior to consideration. As Alison Milbank puts it, the apologetic task of the Christian is not to appeal to pure reason (as if there could be such a thing), but “to awaken in the reader this feeling of homesickness for the truth”. (p.33)
Each essay is worth reading in itself and I don't intend to go through the whole book here. However, the appeal to art, literature and the imaginative life of a human person (as well as communities) chimes in very well with the case being argued theologically by Ben Quash in his book. In other words, take culture seriously; explore and appeal to the imagination that takes reason seriously; be confident about the role of the imagination in comprehending reality.
Having read this stuff in a cafe in Basel yesterday, I then moved on to the Kunstmuseum Basel. I particularly wanted to see the Hans Holbein painting of the dead Christ (referred to by Ben Quash in his book) and the impressive Impressionist collection. There is nothing quite like an art gallery to make me feel ignorant and illiterate. I look at paintings and know that I don't know how to read them – I don't know the language. I had intended to scan the bulk of the collections and stay for longer with the stuff I knew a little about from my reading, but I found I had paid to see the special exhibition of James Ensor: The Surprised Masks.
I had never heard of James Ensor. I realised I had come across several of his works (The Fall of the Rebel Angels and The Entry of Christ into Brussels on Mardi Gras, for example) but I knew nothing about him or his art. It was stunning. The paintings were interesting, but it was the ink drawings that grabbed me. They explore death, dying, mortality and humanity – but with the sort of humour that had me laughing as I looked at them. It reminded me a little of how I felt when I read Robert Crumb's cartoon version of The Book of Genesis.
The point here is that art goes beyond pure reason (but entirely reasonably) into the imagination in a way that digs at 'truth' and pushes our perceptions of what we assume to be 'reality'.
And this, bizarrely, is what takes me on to immigration. If coming to Switzerland helped me escape some of the sterile immigration debates in England, I quickly got plunged back into them. Recently a referendum narrowly backed the view that restrictions should be imposed on immigration into Switzerland. This caused a huge storm both here and in the wider European Union: decisions have consequences. The political fall-out has been interesting to read whilst actually here in Switzerland. And 'imagination' – in the perverse, but common sense of 'fantasy' – has come powerfully into play in the rhetoric around the issue.
The friend I am staying with is employed by the Swiss Reformed Church to engage in industrial and economic matters (Pfarramt für Industrie und Wirtschaft). He was invited by the local newspaper, the bz Basel, to attend last week's opening night of a performance of Max Frisch's Biedermann und die Brandstifter and to be interviewed by the newspaper afterwards. You really have to know the play, but the performance had a twist in that the stories – in their own words – of immigrants to Switzerland were told to a surprised audience. The interview appeared today and Martin (Dürr) has been getting very supportive messages all day. In the interview – which is amusing as well as intelligent – he sharply calls into question the rhetoric propagated by the right wing that mass immigration is threatening the Swiss way of life. The right wing press (in some cases owned by the leader of the right wing party, the SVP) fan the flames of fear whilst simultaneously offering themselves as the saviours of the nation. Martin put it like this (my translation):
We have to draw a line. For many years the SVP has succeeded in building fears and resentments. The play exposes the mechanisms behind this. I believe there are some very respectable people in the SVP. But, the element that has the say has managed for years to present itself as both victim and saviour. This is a fascinating achievement… They present themselves as victims of the foreign masters in Brussels and of the Left and the Greens and even the remaining left wing press. These are doing terrible things to us and our Swiss identity is being destroyed – say the SVP. At the same time they get up and announce: “Comrades, don't be afraid! We offer you the antidote to this. We are the only ones to really fight to keep the Switzerland that has existed since 1291.”
Sound familiar? Create the spectre – regardless of facts and reality – and then offer a solution to the fear that you have created. It is an interesting and powerful example of political apologetics. It works on the imagination by conjuring a fantasy and then calling it reality.
We are not alone…